The correct option is 2 and 3 only.
Explanation
The
Chitrasutra is a dedicated section within the
Vishnudharmottara Purana (Part III) that serves as the primary sourcebook for the techniques, aesthetics, and canons of ancient Indian painting. It provides the theoretical foundation for the mural tradition, such as that seen at Ajanta.
Statement-wise Analysis
- Statement 1 is Incorrect. The Vishnudharmottara Purana is dated to the Gupta or Post-Gupta period (approximately 5th-7th century CE), not the 15th century. The 15th century corresponds to the medieval period, associated with the rise of miniature painting schools, whereas this text represents the classical ancient tradition.
- Statement 2 is Correct. The text outlines the canons of image-making. While Pratima Lakshana specifically refers to the characteristics of iconography (often sculpture), the Chitrasutra applies these rules of proportion (Talamana), stance, and symmetry to figures in paintings. It asserts that the rules of sculpture and painting are closely interlinked.
- Statement 3 is Correct. The Chitrasutra is highly technical and covers the entire process of painting. It details the preparation of the ground (wall or cloth), the making of brushes, the mixing of pigments, and the application of colors (Varnalepa) and shading (Vartana).
Key Takeaway
The
Chitrasutra (5th-7th century CE) is the seminal treatise on Indian painting, emphasizing that the art of painting (
Chitra) is inseparable from the arts of dance (
Nritya) and sculpture (
Shilpa).