With reference to the Sultanate School of Painting, consider the following statements: 1. It emerged from the intermingling of Persian features and indigenous styles. 2. The Nimatnama painted at Mandu is an example of the pure Rajasthani style. 3. It introduced Central Asian physiognomy while retaining certain indigenous features. Which of the statements given above are correct?

The correct option is 1 and 3 only Explanation The Sultanate School of Painting refers to the manuscript illustrations and miniature paintings produced under the various Sultanates (such as Mandu, Jaunpur, and Bengal) prior to and during the early Mughal period. It represents a transitional phase in Indian art history, characterized by the synthesis of indigenous Indian traditions (such as the Western Indian or Jain style) with Persian artistic influences. Statement-wise Analysis - Statement 1 is Correct. The Sultanate School emerged from the intermingling of Persian features and indigenous styles. Before the Mughals established a comprehensive atelier, local Sultans patronized artists who blended the existing Western Indian style (characterized by angular features and protruding eyes) with Persian elements like color palettes, landscape treatment, and ornamentation. - Statement 2 is Incorrect. The Nimatnama (Book of Delicacies), painted at Mandu during the reign of Ghiyath al-Din Khalji (late 15th to early 16th century), is a quintessential example of the Sultanate style, not the "pure Rajasthani style." It displays a distinct fusion of the indigenous style with the Persian Shirazi style. While it influenced the later Malwa school (a sub-school of Rajasthani painting), the manuscript itself is categorized under the Sultanate tradition due to its heavy Persian influence and pre-Rajasthani context. - Statement 3 is Correct. Sultanate paintings introduced Central Asian and Persian physiognomy (facial features and body types) into Indian art. However, they retained certain indigenous features, such as the large, staring eyes typical of the Chaurapanchasika and Jain styles, as well as local costumes and ornaments. Key Takeaway Key Takeaway: The Sultanate School of Painting serves as a bridge between the Western Indian (Jain) style and the later Mughal and Rajasthani schools. The Nimatnama of Mandu is a primary example of this school, showcasing a synthesis of Persian Shirazi influence and indigenous Indian aesthetics.

With reference to the Sultanate School… - NCERT Class 12 Art & Culture MCQ

NCERT Class 12 Art & Culture — Chapter 1: The Manuscript Painting Tradition

mcqmedium

With reference to the Sultanate School of Painting, consider the following statements:

It emerged from the intermingling of Persian features and indigenous styles.
The Nimatnama painted at Mandu is an example of the pure Rajasthani style.
It introduced Central Asian physiognomy while retaining certain indigenous features.

Which of the statements given above are correct?

NCERT textbook question

From NCERT An Introduction to Indian Art - Part II · Page 8

Options

A1, 2 and 3
B1 and 2 only
C1 and 3 only
D2 only

Did you get this right?

Solution

The correct option is 1 and 3 only

Explanation

The Sultanate School of Painting refers to the manuscript illustrations and miniature paintings produced under the various Sultanates (such as Mandu, Jaunpur, and Bengal) prior to and during the early Mughal period. It represents a transitional phase in Indian art history, characterized by the synthesis of indigenous Indian traditions (such as the Western Indian or Jain style) with Persian artistic influences.

Statement-wise Analysis

Statement 1 is Correct. The Sultanate School emerged from the intermingling of Persian features and indigenous styles. Before the Mughals established a comprehensive atelier, local Sultans patronized artists who blended the existing Western Indian style (characterized by angular features and protruding eyes) with Persian elements like color palettes, landscape treatment, and ornamentation.
Statement 2 is Incorrect. The Nimatnama (Book of Delicacies), painted at Mandu during the reign of Ghiyath al-Din Khalji (late 15th to early 16th century), is a quintessential example of the Sultanate style, not the "pure Rajasthani style." It displays a distinct fusion of the indigenous style with the Persian Shirazi style. While it influenced the later Malwa school (a sub-school of Rajasthani painting), the manuscript itself is categorized under the Sultanate tradition due to its heavy Persian influence and pre-Rajasthani context.
Statement 3 is Correct. Sultanate paintings introduced Central Asian and Persian physiognomy (facial features and body types) into Indian art. However, they retained certain indigenous features, such as the large, staring eyes typical of the Chaurapanchasika and Jain styles, as well as local costumes and ornaments.

Key Takeaway

Key Takeaway: The Sultanate School of Painting serves as a bridge between the Western Indian (Jain) style and the later Mughal and Rajasthani schools. The Nimatnama of Mandu is a primary example of this school, showcasing a synthesis of Persian Shirazi influence and indigenous Indian aesthetics.

Your note

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