With reference to the painting Krishna Lifts Mount Govardhan, consider the following statements: 1. It is an illustration from the Padshahnama. 2. It is attributed to the artist Miskin. 3. The translation of the text for this manuscript is associated with scholars like Badauni. Which of the statements given above is/are correct?

The correct option is 2 and 3 only. Explanation The painting Krishna Lifts Mount Govardhan is a celebrated masterpiece of the Mughal School of miniature painting, created during the reign of Emperor Akbar (c. 1590-1595). It reflects the dynamic "Akbari style," known for its synthesis of Persian techniques with Indian themes and vibrant colors. Statement-wise Analysis: - Statement 1 is Incorrect. This painting is an illustration from the Harivamsa (The Genealogy of Hari), which is an appendix to the Mahabharata. It is not from the Padshahnama, which is a chronicle of the reign of Emperor Shah Jahan produced decades later. - Statement 2 is Correct. The artwork is attributed to the master artist Miskin. He was a leading painter in Akbar’s atelier, renowned for his vertical compositions, sophisticated coloring, and intricate depiction of rocky formations and animals. - Statement 3 is Correct. The Harivamsa is a Sanskrit text. During Akbar's reign, a Maktab Khana (Translation Bureau) was established to translate Sanskrit epics into Persian. The scholar Abdul Qadir Badauni was a key figure in this bureau and was tasked with translating the Mahabharata (titled Razmnama in Persian) and the Ramayana. As the Harivamsa is part of the Mahabharata corpus, its translation is associated with the scholarly efforts of Badauni and his contemporaries. Key Takeaway: Krishna Lifts Mount Govardhan is a Mughal miniature by the artist Miskin, illustrating the Harivamsa. The text was translated into Persian during Akbar's reign, a project significantly associated with the scholar Badauni.

NCERT Class 12 Art & Culture — Chapter 3: The Mughal School of Miniature Painting

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With reference to the painting Krishna Lifts Mount Govardhan, consider the following statements:

It is an illustration from the Padshahnama.
It is attributed to the artist Miskin.
The translation of the text for this manuscript is associated with scholars like Badauni.

Which of the statements given above is/are correct?

Official previous-year question

Verified 1 Aug 2026.

Options

A2 only
B1 and 2 only
C2 and 3 only
D1, 2 and 3

Did you get this right?

Solution

The correct option is 2 and 3 only.

Explanation

The painting Krishna Lifts Mount Govardhan is a celebrated masterpiece of the Mughal School of miniature painting, created during the reign of Emperor Akbar (c. 1590-1595). It reflects the dynamic "Akbari style," known for its synthesis of Persian techniques with Indian themes and vibrant colors.

Statement-wise Analysis:

Statement 1 is Incorrect. This painting is an illustration from the Harivamsa (The Genealogy of Hari), which is an appendix to the Mahabharata. It is not from the Padshahnama, which is a chronicle of the reign of Emperor Shah Jahan produced decades later.
Statement 2 is Correct. The artwork is attributed to the master artist Miskin. He was a leading painter in Akbar’s atelier, renowned for his vertical compositions, sophisticated coloring, and intricate depiction of rocky formations and animals.
Statement 3 is Correct. The Harivamsa is a Sanskrit text. During Akbar's reign, a Maktab Khana (Translation Bureau) was established to translate Sanskrit epics into Persian. The scholar Abdul Qadir Badauni was a key figure in this bureau and was tasked with translating the Mahabharata (titled Razmnama in Persian) and the Ramayana. As the Harivamsa is part of the Mahabharata corpus, its translation is associated with the scholarly efforts of Badauni and his contemporaries.

Key Takeaway:
Krishna Lifts Mount Govardhan is a Mughal miniature by the artist Miskin, illustrating the Harivamsa. The text was translated into Persian during Akbar's reign, a project significantly associated with the scholar Badauni.

Your note

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With reference to the pre-Mughal and indigenous schools of painting in India, consider the following statements: 1. Unlike the Mughal style, the indigenous style emphasized a flat perspective and bold modelling of figures. 2. The indigenous style was completely replaced by the Mughal style due to the latter's optical reality and finesse. 3. The Mughal style introduced three-dimensional figure portrayal which was absent in the parallel indigenous schools. Which of the statements given above is/are correct?

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Consider the following statements regarding the illustrated manuscript Hamza Nama: 1. It was a project conceived and completed entirely during the reign of Emperor Babur. 2. The paintings were executed directly on cloth rather than on paper. 3. The project was completed under the supervision of the Persian masters Mir Sayyid Ali and Abd us Samad. Which of the statements given above are correct?

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With reference to the artistic developments under Emperor Jahangir, consider the following statements: 1. His atelier preferred mass production of manuscripts over individual high-quality artworks. 2. The practice of creating Muraqqas became popular under his patronage. 3. He employed the artist Basawan to achieve sophistication in painting. Which of the statements given above is/are correct?

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With reference to the painting Noah’s Ark from the Diwan-i Hafiz, consider the following statements: 1. It is ascribed to the artist Daswant. 2. It depicts the sons of Noah throwing Iblis out of the ark. 3. It is characterized by a vertical perspective that infuses the painting with dramatic energy. Which of the statements given above are correct?

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The correct option is 2 and 3 only.

Explanation

Statement-wise Analysis:

Statement 1 is Incorrect. This painting is an illustration from the Harivamsa (The Genealogy of Hari), which is an appendix to the Mahabharata. It is not from the Padshahnama, which is a chronicle of the reign of Emperor Shah Jahan produced decades later.
Statement 2 is Correct. The artwork is attributed to the master artist Miskin. He was a leading painter in Akbar’s atelier, renowned for his vertical compositions, sophisticated coloring, and intricate depiction of rocky formations and animals.
Statement 3 is Correct. The Harivamsa is a Sanskrit text. During Akbar's reign, a Maktab Khana (Translation Bureau) was established to translate Sanskrit epics into Persian. The scholar Abdul Qadir Badauni was a key figure in this bureau and was tasked with translating the Mahabharata (titled Razmnama in Persian) and the Ramayana. As the Harivamsa is part of the Mahabharata corpus, its translation is associated with the scholarly efforts of Badauni and his contemporaries.