The correct option is 2 only
Explanation
Mughal miniature painting reached its zenith under Emperor Jahangir, characterized by a shift towards naturalism, psychological portraiture, and the detailed documentation of court proceedings. The painting Jahangir in Darbar (c. 1620) is a significant work illustrating the grandeur and cosmopolitan nature of the Mughal court during this period.
Statement-wise Analysis:
- Statement 1 is Incorrect: The painting is a collaborative masterpiece attributed to two leading artists of the imperial atelier: Abul Hasan and Manohar. Abul Hasan was responsible for the overall composition and the Emperor's portrait, while Manohar executed the portraits of the courtiers.
- Statement 2 is Correct: The painting depicts Prince Khurram (the future Emperor Shah Jahan) standing in attendance below the jharokha. Prince Aurangzeb was born in 1618; in 1620, he would have been a toddler and is not the adult figure depicted in attendance.
- Statement 3 is Incorrect: The painting reflects the inclusive and diverse nature of Jahangir's court. It explicitly includes a Jesuit priest (identified as Father Corsi) among the courtiers, demonstrating that European figures were not excluded but were an integral part of the court's visual documentation.
Key Takeaway:
Jahangir in Darbar (1620) is a celebrated Mughal miniature by Abul Hasan and Manohar that features Prince Khurram and documents the presence of Jesuit priests, highlighting the court's pluralistic atmosphere.