The correct option is 2 and 3 only.
Explanation
The painting Hazrat Nizamuddin Auliya and Amir Khusrau is a notable work attributed to the Hyderabad School of the Deccan style of miniature painting. It illustrates the spiritual bond between the revered Sufi saint and his disciple.
Statement 1 is Incorrect:
The painting is attributed to the Hyderabad School, not the Bijapur School. Additionally, it does not display the high technical sophistication typical of the earlier Bijapur or Mughal court ateliers. Instead, it represents a later phase of Deccan painting characterized by simpler execution.
Statement 2 is Correct:
The artwork depicts Hazrat Nizamuddin Auliya seated in a contemplative mood, listening to music played by Amir Khusrau. This imagery highlights the Sufi practice of Sama, where music serves as a medium for spiritual elevation.
Statement 3 is Correct:
The style of this specific painting is distinctively naive and basic. It utilizes a simple composition with flat backgrounds and lacks the intricate detailing, perspective, and naturalism found in the more refined court paintings of the era.
Key Takeaway:
The painting of Hazrat Nizamuddin Auliya and Amir Khusrau belongs to the Hyderabad School and is characterized by a naive and basic style, distinguishing it from the technically sophisticated works of the Bijapur or Mughal schools.