The correct option is 1 and 3 only.
Explanation
The Yogini painting is a distinguished example of the Bijapur School of Deccan miniature painting, created during the early 17th century under the patronage of Ibrahim Adil Shah II. This school is known for its rich color schemes, decorative details, and a synthesis of Persian, Ottoman, and indigenous influences.
Statement-wise Analysis:
- Statement 1 is Correct: The painting is attributed to the artist Farrukh Beg. He was a Persian painter who initially worked in the Mughal court of Akbar, spent a significant period in the Deccan (Bijapur), and later returned to the Mughal court under Jahangir. His style in this painting reflects a blend of Persian sophistication and Deccani lyricism.
- Statement 2 is Incorrect: The artist employs a vertical composition, not a horizontal one. The elongated figure of the Yogini occupies the central space, emphasizing her stature against a surreal, lush landscape that fills the vertical frame.
- Statement 3 is Correct: The Yogini is depicted holding and engaging with a myna bird. The bird is a significant element in the composition, often symbolizing a messenger or a companion in the context of Indian romantic and devotional poetry.
Key Takeaway:
The Yogini of Bijapur is a vertical miniature painting attributed to Farrukh Beg, characterized by its lavish use of gold, elongated figures, and the specific depiction of the subject interacting with a myna bird.