The correct option is Abanindranath Tagore.
Explanation
The painting 'Journey’s End' (c. 1913) is a seminal work of the Bengal School of Art. This movement, led by Abanindranath Tagore, sought to modernize Indian art by integrating traditional Indian aesthetics with Asian techniques, moving away from Western academic realism.
Analysis:
- Abanindranath Tagore: He is the artist behind 'Journey’s End'. The painting portrays a collapsed camel, weighed down by its load, set against a crimson dusk. It is executed using the wash technique (a Japanese watercolor method adapted by Tagore), which creates a soft, misty, and atmospheric effect. The work is often interpreted as an allegory for the end of an empire or the exhaustion of a long struggle.
- Rabindranath Tagore: Although he took up painting later in life, his style was expressionist, characterized by geometric forms, rhythmic lines, and imaginary creatures. He is not associated with the delicate wash style of 'Journey’s End'.
- Nandalal Bose: A disciple of Abanindranath Tagore, Bose is renowned for his linear strength and works like the 'Haripura Posters' and 'Sati'. While he belonged to the same school, this specific painting is not his creation.
- Asit Kumar Haldar: Another prominent student of Abanindranath, known for his lyrical style and documentation of Ajanta and Bagh cave paintings, but not for this masterpiece.
Key Takeaway: 'Journey’s End' is a masterpiece by Abanindranath Tagore, celebrated for its use of the wash technique and its emotive, symbolic depiction of exhaustion and finality.