The correct option is Indian National Congress session at Haripura, 1938.
Explanation
The 'Haripura Posters' are a celebrated series of paintings by Nandalal Bose, a pioneer of modern Indian art. These works were commissioned to decorate the venue of a political gathering, symbolizing the integration of art with the nationalist movement.
Historical Context and Analysis:
- Commission by Mahatma Gandhi: Mahatma Gandhi invited Nandalal Bose to decorate the pandal for the Indian National Congress session at Haripura in 1938. Gandhi desired an aesthetic that reflected the soul of rural India and resonated with the common masses.
- Subject Matter: Bose created a series of panels depicting ordinary scenes of Indian village life, such as a musician, a cobbler, a hunter, a carpenter, or a woman cooking. These images celebrated the dignity of labor and the simplicity of rural existence.
- Artistic Style: The posters were executed in a style that blended the fluidity of the Bengal School with the earthy simplicity of Indian folk art (specifically influenced by Kalighat Pat). They were painted on handmade paper using natural pigments to align with the Swadeshi ideology.
Analysis of Incorrect Options:
- Delhi Durbar of 1911 Delhi Durbar of 1911: This was an imperial assembly organized by the British Raj to commemorate the coronation of King George V. It is unrelated to Nandalal Bose's nationalist art projects.
- Lahore Congress session of 1929 Lahore Congress session of 1929: While historically significant for the declaration of 'Purna Swaraj', the specific artistic commission of the 'Haripura Posters' occurred later, in 1938.
- Quit India movement rallies in 1942 Quit India movement rallies in 1942: The Quit India movement was a mass protest campaign launched in August 1942. The Haripura posters were specifically created for the decoration of the 1938 Congress session venue, predating this movement.
Key Takeaway: Nandalal Bose created the 'Haripura Posters' for the 1938 Haripura Session of the INC to depict the life and spirit of rural India, marking a unique synthesis of nationalism and modern art.