Match List I with List II and select the correct answer using the code given below: List I | List II A. Mathura Style | 1. Drapery clings to right side, curvilinear turn at ankles B. Sarnath Style | 2. Series of drooping down curves C. Phophnar (Vakataka) | 3. Foldless drapery D. Kushana Style | 4. Simplified muscles, less refined than Gupta

The correct option is A-2, B-3, C-1, D-4 . Explanation The evolution of Indian sculpture, particularly Buddhist art, shows distinct stylistic transitions from the Kushana period (Post-Mauryan) to the Gupta period. These styles are differentiated by the treatment of drapery (robes), body modeling, and the level of refinement or idealism. Statement-wise Analysis: - A. Mathura Style (Gupta Phase) matches 2 (Series of drooping down curves): While the earlier Kushana-Mathura style was heavy, the Gupta-Mathura style became more refined. A defining characteristic of the Gupta-Mathura Buddha is the transparent drapery that retains rhythmic, string-like folds. These folds appear as a series of drooping down curves over the body, distinguishing it from the Sarnath style. - B. Sarnath Style matches 3 (Foldless drapery): The Sarnath school of the Gupta period represents the zenith of Indian plastic art. Its most distinctive feature is the "wet drapery" effect, where the robe is so transparent that it appears to cling to the body without any folds (foldless). The focus is entirely on the spiritual luminosity of the body rather than the garment. - C. Phophnar (Vakataka) matches 1 (Drapery clings to right side, curvilinear turn at ankles): The bronze Buddha images found at Phophnar (associated with the Vakataka dynasty, contemporaries of the Guptas) display a unique regional variation. The drapery typically clings to the right side of the body and forms a distinctive curvilinear turn near the ankles, showing influences from both Mathura and Amaravati styles. - D. Kushana Style matches 4 (Simplified muscles, less refined than Gupta): The Kushana period art (early Mathura) is characterized by robustness and mass. The figures often appear stiff with simplified muscle modeling. Compared to the highly idealized, spiritual, and fluid forms of the subsequent Gupta period, the Kushana style is considered less refined and more earthy. Key Takeaway: The primary distinction between the two main Gupta-era schools is the drapery: Mathura retains schematic folds (drooping curves), while Sarnath features foldless, transparent drapery.

Match List I with List II and select the correct answer using the code given below: List I | List II A.… - NCERT Class 11 Art & Culture MCQ

NCERT Class 11 Art & Culture — Chapter 7: Indian Bronze Sculpture

mcqmedium

Match List I with List II and select the correct answer using the code given below:

List I	List II
A. Mathura Style	1. Drapery clings to right side, curvilinear turn at ankles
B. Sarnath Style	2. Series of drooping down curves
C. Phophnar (Vakataka)	3. Foldless drapery
D. Kushana Style	4. Simplified muscles, less refined than Gupta

NCERT textbook question

From NCERT An Introduction to Indian Art · Page 3

Options

AA-2, B-3, C-1, D-4
BA-3, B-2, C-4, D-1
CA-2, B-1, C-3, D-4
DA-3, B-4, C-1, D-2

Did you get this right?

Solution

The correct option is

A-2, B-3, C-1, D-4

Explanation

The evolution of Indian sculpture, particularly Buddhist art, shows distinct stylistic transitions from the Kushana period (Post-Mauryan) to the Gupta period. These styles are differentiated by the treatment of drapery (robes), body modeling, and the level of refinement or idealism.

Statement-wise Analysis:

A. Mathura Style (Gupta Phase) matches 2 (Series of drooping down curves):
While the earlier Kushana-Mathura style was heavy, the Gupta-Mathura style became more refined. A defining characteristic of the Gupta-Mathura Buddha is the transparent drapery that retains rhythmic, string-like folds. These folds appear as a series of drooping down curves over the body, distinguishing it from the Sarnath style.
B. Sarnath Style matches 3 (Foldless drapery):
The Sarnath school of the Gupta period represents the zenith of Indian plastic art. Its most distinctive feature is the "wet drapery" effect, where the robe is so transparent that it appears to cling to the body without any folds (foldless). The focus is entirely on the spiritual luminosity of the body rather than the garment.
C. Phophnar (Vakataka) matches 1 (Drapery clings to right side, curvilinear turn at ankles):
The bronze Buddha images found at Phophnar (associated with the Vakataka dynasty, contemporaries of the Guptas) display a unique regional variation. The drapery typically clings to the right side of the body and forms a distinctive curvilinear turn near the ankles, showing influences from both Mathura and Amaravati styles.
D. Kushana Style matches 4 (Simplified muscles, less refined than Gupta):
The Kushana period art (early Mathura) is characterized by robustness and mass. The figures often appear stiff with simplified muscle modeling. Compared to the highly idealized, spiritual, and fluid forms of the subsequent Gupta period, the Kushana style is considered less refined and more earthy.

Key Takeaway:
The primary distinction between the two main Gupta-era schools is the drapery: Mathura retains schematic folds (drooping curves), while Sarnath features foldless, transparent drapery.

Your note

More from Chapter 7: Indian Bronze Sculpture

Match List I with List II and select the correct answer using the code given below: List I | List II A. Himachal Pradesh | 1. Dynamic Mahishasuramardini images B. Thanjavur | 2. Revival of Gupta classical style C. Nalanda | 3. Life-size portrait statues D. Tirupati | 4. Wide range of Shiva iconography

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With reference to the Vijayanagar Period bronzes, consider the following statements: 1. The sculptors of this period strictly avoided creating portrait statues of royals. 2. The portrait statues of Krishnadevaraya and his queens are depicted in prayer mudra. 3. The physical bodies in these sculptures are modelled to appear imposing yet graceful. Which of the statements given above is/are correct?

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The celebrated bronze portrait sculpture of Krishnadevaraya with his queens is located at:

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The Vakataka period bronze images of the Buddha found at Phophnar demonstrate the stylistic influence of:

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With reference to the history of bronze sculpture in India, consider the following statements: 1. The ‘Dancing Girl’ sculpture dates to the Mauryan period. 2. The ‘lost-wax’ process was known to Indian sculptors as early as the Indus Valley Culture. 3. Bronze casting was exclusively used for creating ritual icons and was never utilised for daily use articles like utensils. Which of the statements given above is/are correct?

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