With reference to the history of bronze sculpture in India, consider the following statements: 1. The ‘Dancing Girl’ sculpture dates to the Mauryan period. 2. The ‘lost-wax’ process was known to Indian sculptors as early as the Indus Valley Culture. 3. Bronze casting was exclusively used for creating ritual icons and was never utilised for daily use articles like utensils. Which of the statements given above is/are correct?

Correct Option The correct option is 2 only Explanation Indian sculptors have mastered the art of bronze casting for millennia using the ‘lost-wax’ process (cire-perdu). This technique involves creating a wax model, covering it with clay to form a mould, melting the wax out, and filling the resulting hollow space with molten metal. This tradition dates back to the earliest phases of urbanization in the Indian subcontinent. Statement-wise Analysis - Statement 1 is Incorrect: The ‘lost-wax’ process was well-known to the artisans of the Indus Valley Civilization. Several bronze and copper figurines excavated from Harappan sites demonstrate a high degree of skill in this technique. - Statement 2 is Correct: The famous ‘Dancing Girl’ sculpture was discovered at Mohenjo-Daro and belongs to the Indus Valley Civilization (c. 2500 BCE). It does not date to the Mauryan period (c. 322-185 BCE), which came much later. - Statement 3 is Incorrect: Bronze and copper casting were not restricted to ritual icons. Archaeological findings confirm that metal casting was utilized for a wide variety of objects, including daily use articles such as utensils, tools, weapons, and toys (e.g., carts and animals), in addition to votive or ritualistic figures. Key Takeaway Key Takeaway: The ‘lost-wax’ technique (cire-perdu) originated in India during the Indus Valley Civilization, with the ‘Dancing Girl’ from Mohenjo-Daro being the earliest and most significant example of this tradition.

With reference to the history of… - NCERT Class 11 Art & Culture MCQ

NCERT Class 11 Art & Culture — Chapter 7: Indian Bronze Sculpture

mcqeasy

With reference to the history of bronze sculpture in India, consider the following statements:

The ‘Dancing Girl’ sculpture dates to the Mauryan period.
The ‘lost-wax’ process was known to Indian sculptors as early as the Indus Valley Culture.
Bronze casting was exclusively used for creating ritual icons and was never utilised for daily use articles like utensils.

Which of the statements given above is/are correct?

NCERT textbook question

From NCERT An Introduction to Indian Art · Page 1

Options

A2 only
B1 only
C1 and 3 only
D1, 2 and 3

Did you get this right?

Solution

Correct Option

The correct option is

2 only

Explanation

Indian sculptors have mastered the art of bronze casting for millennia using the ‘lost-wax’ process (cire-perdu). This technique involves creating a wax model, covering it with clay to form a mould, melting the wax out, and filling the resulting hollow space with molten metal. This tradition dates back to the earliest phases of urbanization in the Indian subcontinent.

Statement-wise Analysis

Statement 1 is Incorrect: The ‘lost-wax’ process was well-known to the artisans of the Indus Valley Civilization. Several bronze and copper figurines excavated from Harappan sites demonstrate a high degree of skill in this technique.
Statement 2 is Correct: The famous ‘Dancing Girl’ sculpture was discovered at Mohenjo-Daro and belongs to the Indus Valley Civilization (c. 2500 BCE). It does not date to the Mauryan period (c. 322-185 BCE), which came much later.
Statement 3 is Incorrect: Bronze and copper casting were not restricted to ritual icons. Archaeological findings confirm that metal casting was utilized for a wide variety of objects, including daily use articles such as utensils, tools, weapons, and toys (e.g., carts and animals), in addition to votive or ritualistic figures.

Key Takeaway

Key Takeaway: The ‘lost-wax’ technique (cire-perdu) originated in India during the Indus Valley Civilization, with the ‘Dancing Girl’ from Mohenjo-Daro being the earliest and most significant example of this tradition.

Your note

More from Chapter 7: Indian Bronze Sculpture

Match List I with List II and select the correct answer using the code given below: List I | List II A. Himachal Pradesh | 1. Dynamic Mahishasuramardini images B. Thanjavur | 2. Revival of Gupta classical style C. Nalanda | 3. Life-size portrait statues D. Tirupati | 4. Wide range of Shiva iconography

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With reference to the Vijayanagar Period bronzes, consider the following statements: 1. The sculptors of this period strictly avoided creating portrait statues of royals. 2. The portrait statues of Krishnadevaraya and his queens are depicted in prayer mudra. 3. The physical bodies in these sculptures are modelled to appear imposing yet graceful. Which of the statements given above is/are correct?

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The celebrated bronze portrait sculpture of Krishnadevaraya with his queens is located at:

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The Vakataka period bronze images of the Buddha found at Phophnar demonstrate the stylistic influence of:

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Match List I with List II and select the correct answer using the code given below: List I | List II A. Foldless drapery | 1. Adinath Iconography B. Drooping down curves in drapery | 2. Sarnath Style C. Long hairlocks on shoulders | 3. Indus Valley D. Tubular form limbs | 4. Mathura Style

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