Match List I with List II and select the correct answer using the code given below: List I | List II A. Pallava Shiva | 1. Abhaya Mudra (Right Hand) B. Nataraja (Main Right Hand) | 2. Achamana Mudra C. Krishnadevaraya | 3. Abhaya Hasta D. Pala Tara | 4. Namaskara Mudra

The correct Answer is A-2, B-3, C-4, D-1 Explanation This question requires matching specific iconographic representations or artistic styles with their characteristic mudras (hand gestures) or associated features in Indian art history. Understanding the distinct attributes of different sculptural traditions and deities is essential. Statement-wise Analysis 1. A. Pallava Shiva - Correctly matched with 2. Achamana Mudra - Pallava sculptures, particularly of Shiva, sometimes depict specific ritualistic gestures. The Achamana Mudra, though not exclusively Pallava, refers to a gesture associated with purification or sipping water, which can be found in various iconographic contexts. 2. B. Nataraja (Main Right Hand) - Correctly matched with 3. Abhaya Hasta - The Nataraja, the dancing form of Shiva, typically has its main right hand raised in the Abhaya Mudra (or Abhaya Hasta), signifying protection and reassurance to devotees. 3. C. Krishnadevaraya - Correctly matched with 4. Namaskara Mudra - Krishnadevaraya, a prominent ruler of the Vijayanagara Empire, is often depicted in sculptures, particularly in temple complexes, in a reverential posture with hands joined in Anjali Mudra or Namaskara Mudra, indicating devotion or respect. 4. D. Pala Tara - Correctly matched with 1. Abhaya Mudra (Right Hand) - Tara, a prominent Buddhist deity in the Pala period, is frequently depicted with her right hand in the Abhaya Mudra, symbolizing fearlessness and protection. Key Takeaway Iconographic details such as mudras are crucial for identifying deities and understanding the artistic conventions of different periods and regions in Indian art.

Match List I with List II and select the correct answer using the code given below: List I | List II A.… - NCERT Class 11 Art & Culture MCQ

NCERT Class 11 Art & Culture — Chapter 7: Indian Bronze Sculpture

mcqmedium

Match List I with List II and select the correct answer using the code given below:

List I	List II
A. Pallava Shiva	1. Abhaya Mudra (Right Hand)
B. Nataraja (Main Right Hand)	2. Achamana Mudra
C. Krishnadevaraya	3. Abhaya Hasta
D. Pala Tara	4. Namaskara Mudra

NCERT textbook question

From NCERT An Introduction to Indian Art · Page 6

Options

AA-3, B-2, C-1, D-4
BA-2, B-3, C-4, D-1
CA-2, B-4, C-3, D-1
DA-3, B-1, C-4, D-2

Did you get this right?

Solution

The correct Answer is A-2, B-3, C-4, D-1

Explanation

This question requires matching specific iconographic representations or artistic styles with their characteristic mudras (hand gestures) or associated features in Indian art history. Understanding the distinct attributes of different sculptural traditions and deities is essential.

Statement-wise Analysis

A. Pallava Shiva - Correctly matched with 2. Achamana Mudra
- Pallava sculptures, particularly of Shiva, sometimes depict specific ritualistic gestures. The Achamana Mudra, though not exclusively Pallava, refers to a gesture associated with purification or sipping water, which can be found in various iconographic contexts.
B. Nataraja (Main Right Hand) - Correctly matched with 3. Abhaya Hasta
- The Nataraja, the dancing form of Shiva, typically has its main right hand raised in the Abhaya Mudra (or Abhaya Hasta), signifying protection and reassurance to devotees.
C. Krishnadevaraya - Correctly matched with 4. Namaskara Mudra
- Krishnadevaraya, a prominent ruler of the Vijayanagara Empire, is often depicted in sculptures, particularly in temple complexes, in a reverential posture with hands joined in Anjali Mudra or Namaskara Mudra, indicating devotion or respect.
D. Pala Tara - Correctly matched with 1. Abhaya Mudra (Right Hand)
- Tara, a prominent Buddhist deity in the Pala period, is frequently depicted with her right hand in the Abhaya Mudra, symbolizing fearlessness and protection.

Key Takeaway

Iconographic details such as mudras are crucial for identifying deities and understanding the artistic conventions of different periods and regions in Indian art.

Your note

More from Chapter 7: Indian Bronze Sculpture

Match List I with List II and select the correct answer using the code given below: List I | List II A. Himachal Pradesh | 1. Dynamic Mahishasuramardini images B. Thanjavur | 2. Revival of Gupta classical style C. Nalanda | 3. Life-size portrait statues D. Tirupati | 4. Wide range of Shiva iconography

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With reference to the Vijayanagar Period bronzes, consider the following statements: 1. The sculptors of this period strictly avoided creating portrait statues of royals. 2. The portrait statues of Krishnadevaraya and his queens are depicted in prayer mudra. 3. The physical bodies in these sculptures are modelled to appear imposing yet graceful. Which of the statements given above is/are correct?

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The Vakataka period bronze images of the Buddha found at Phophnar demonstrate the stylistic influence of:

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With reference to the history of bronze sculpture in India, consider the following statements: 1. The ‘Dancing Girl’ sculpture dates to the Mauryan period. 2. The ‘lost-wax’ process was known to Indian sculptors as early as the Indus Valley Culture. 3. Bronze casting was exclusively used for creating ritual icons and was never utilised for daily use articles like utensils. Which of the statements given above is/are correct?

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