Match List I with List II and select the correct answer using the code given below: List I | List II A. Jain Tirthankaras | 1. Gujarat and Rajasthan B. Vaikuntha Vishnu | 2. Bihar and Bengal (Pala) C. Tara | 3. Kashmir and Himachal Pradesh D. Nataraja | 4. Tamil Nadu (Chola)

The correct Answer is A-1, B-3, C-2, D-4 Explanation This question requires matching specific art forms or deities with their prominent regions of artistic development or worship in ancient and medieval India. The focus is on identifying the geographical distribution of distinct sculptural and religious traditions. Statement-wise Analysis 1. A. Jain Tirthankaras - 1. Gujarat and Rajasthan - Correct. Jainism flourished significantly in Gujarat and Rajasthan. These regions are known for numerous Jain temples and sculptures of Tirthankaras, particularly from the medieval period. Examples include Dilwara Temples in Rajasthan and Palitana in Gujarat. 2. B. Vaikuntha Vishnu - 3. Kashmir and Himachal Pradesh - Correct. The Vaikuntha Vishnu form, characterized by multiple heads (human, lion, boar), was a distinctive iconographic representation that developed and was prevalent in the Kashmir and Himachal Pradesh regions, particularly during the post-Gupta and early medieval periods. 3. C. Tara - 2. Bihar and Bengal (Pala) - Correct. Tara is a prominent Buddhist deity, especially in Vajrayana Buddhism. The Pala dynasty, ruling over Bihar and Bengal, was a major patron of Buddhism, and numerous sculptures of Tara were produced in these regions during the Pala period. 4. D. Nataraja - 4. Tamil Nadu (Chola) - Correct. The iconic bronze sculptures of Nataraja, depicting Shiva as the cosmic dancer, reached their zenith under the Chola dynasty in Tamil Nadu. This art form is a hallmark of Chola bronze casting. Key Takeaway Specific regional artistic and religious traditions are often associated with particular deities or art forms, reflecting patronage and cultural development.

Match List I with List II and select the correct answer using the code given below: List I | List II A.… - NCERT Class 11 Art & Culture MCQ

NCERT Class 11 Art & Culture — Chapter 7: Indian Bronze Sculpture

mcqeasy

Match List I with List II and select the correct answer using the code given below:

List I	List II
A. Jain Tirthankaras	1. Gujarat and Rajasthan
B. Vaikuntha Vishnu	2. Bihar and Bengal (Pala)
C. Tara	3. Kashmir and Himachal Pradesh
D. Nataraja	4. Tamil Nadu (Chola)

NCERT textbook question

From NCERT An Introduction to Indian Art · Page 1

Options

AA-3, B-4, C-2, D-1
BA-1, B-2, C-3, D-4
CA-3, B-1, C-4, D-2
DA-1, B-3, C-2, D-4

Did you get this right?

Solution

The correct Answer is A-1, B-3, C-2, D-4

Explanation

This question requires matching specific art forms or deities with their prominent regions of artistic development or worship in ancient and medieval India. The focus is on identifying the geographical distribution of distinct sculptural and religious traditions.

Statement-wise Analysis

A. Jain Tirthankaras - 1. Gujarat and Rajasthan
- Correct. Jainism flourished significantly in Gujarat and Rajasthan. These regions are known for numerous Jain temples and sculptures of Tirthankaras, particularly from the medieval period. Examples include Dilwara Temples in Rajasthan and Palitana in Gujarat.
B. Vaikuntha Vishnu - 3. Kashmir and Himachal Pradesh
- Correct. The Vaikuntha Vishnu form, characterized by multiple heads (human, lion, boar), was a distinctive iconographic representation that developed and was prevalent in the Kashmir and Himachal Pradesh regions, particularly during the post-Gupta and early medieval periods.
C. Tara - 2. Bihar and Bengal (Pala)
- Correct. Tara is a prominent Buddhist deity, especially in Vajrayana Buddhism. The Pala dynasty, ruling over Bihar and Bengal, was a major patron of Buddhism, and numerous sculptures of Tara were produced in these regions during the Pala period.
D. Nataraja - 4. Tamil Nadu (Chola)
- Correct. The iconic bronze sculptures of Nataraja, depicting Shiva as the cosmic dancer, reached their zenith under the Chola dynasty in Tamil Nadu. This art form is a hallmark of Chola bronze casting.

Key Takeaway

Specific regional artistic and religious traditions are often associated with particular deities or art forms, reflecting patronage and cultural development.

Your note

More from Chapter 7: Indian Bronze Sculpture

Match List I with List II and select the correct answer using the code given below: List I | List II A. Himachal Pradesh | 1. Dynamic Mahishasuramardini images B. Thanjavur | 2. Revival of Gupta classical style C. Nalanda | 3. Life-size portrait statues D. Tirupati | 4. Wide range of Shiva iconography

medium

With reference to the Vijayanagar Period bronzes, consider the following statements: 1. The sculptors of this period strictly avoided creating portrait statues of royals. 2. The portrait statues of Krishnadevaraya and his queens are depicted in prayer mudra. 3. The physical bodies in these sculptures are modelled to appear imposing yet graceful. Which of the statements given above is/are correct?

medium

The celebrated bronze portrait sculpture of Krishnadevaraya with his queens is located at:

easy

The Vakataka period bronze images of the Buddha found at Phophnar demonstrate the stylistic influence of:

medium

With reference to the history of bronze sculpture in India, consider the following statements: 1. The ‘Dancing Girl’ sculpture dates to the Mauryan period. 2. The ‘lost-wax’ process was known to Indian sculptors as early as the Indus Valley Culture. 3. Bronze casting was exclusively used for creating ritual icons and was never utilised for daily use articles like utensils. Which of the statements given above is/are correct?

easy

Keep practising Chapter 7: Indian Bronze Sculpture

Work through every question from this NCERT chapter.

Browse all NCERT Class 11 Art & Culture chapters