Consider the following statements regarding the Vijayanagar portrait sculptures: 1. These sculptures date back to the 10th century. 2. They combine facial likeness with elements of idealisation. 3. The standing king and queens are depicted in prayer mudra. Which of the statements given above is/are correct?

The correct option is 2 and 3 only. Explanation The Vijayanagar School of art and architecture (14th-17th century AD) represents a significant phase in the evolution of the Dravidian style. Beyond temple construction, this period is renowned for its metal work and stone sculpture, specifically the emergence of royal portraiture. - Statement 1 is Incorrect: The Vijayanagar Empire was established in 1336 AD and flourished primarily between the 14th and 16th centuries. The 10th century corresponds to the Chola period in South India. Consequently, Vijayanagar sculptures do not date back to the 10th century. - Statement 2 is Correct: Vijayanagar art exhibits a distinct shift towards portraiture. The sculptures combine facial likeness (capturing specific physical features of the subject) with elements of idealisation (adhering to traditional aesthetic norms regarding body proportions and stance). This synthesis distinguishes them from the purely idealized divine forms of earlier eras. - Statement 3 is Correct: The most prominent examples of this style are the life-size copper statues of King Krishnadevaraya and his consorts, Chinnadevi and Tirumaladevi, located at the Tirumala Venkateswara Temple. These figures are depicted standing with their hands joined in the Anjali mudra (gesture of prayer), symbolizing eternal devotion to the deity. Key Takeaway: The Vijayanagar period is notable for introducing royal portrait sculptures that depict donors in the Anjali mudra, blending realistic facial portraiture with the idealized physical forms characteristic of Indian art.

Consider the following statements regarding the Vijayanagar portrait… - NCERT Class 11 Art & Culture MCQ

NCERT Class 11 Art & Culture — Chapter 7: Indian Bronze Sculpture

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Consider the following statements regarding the Vijayanagar portrait sculptures:

These sculptures date back to the 10th century.
They combine facial likeness with elements of idealisation.
The standing king and queens are depicted in prayer mudra.

Which of the statements given above is/are correct?

NCERT textbook question

From NCERT An Introduction to Indian Art · Page 6

Options

A2 only
B1 and 2 only
C2 and 3 only
D1, 2 and 3

Did you get this right?

Solution

The correct option is 2 and 3 only.

Explanation

The Vijayanagar School of art and architecture (14th-17th century AD) represents a significant phase in the evolution of the Dravidian style. Beyond temple construction, this period is renowned for its metal work and stone sculpture, specifically the emergence of royal portraiture.

Statement 1 is Incorrect: The Vijayanagar Empire was established in 1336 AD and flourished primarily between the 14th and 16th centuries. The 10th century corresponds to the Chola period in South India. Consequently, Vijayanagar sculptures do not date back to the 10th century.
Statement 2 is Correct: Vijayanagar art exhibits a distinct shift towards portraiture. The sculptures combine facial likeness (capturing specific physical features of the subject) with elements of idealisation (adhering to traditional aesthetic norms regarding body proportions and stance). This synthesis distinguishes them from the purely idealized divine forms of earlier eras.
Statement 3 is Correct: The most prominent examples of this style are the life-size copper statues of King Krishnadevaraya and his consorts, Chinnadevi and Tirumaladevi, located at the Tirumala Venkateswara Temple. These figures are depicted standing with their hands joined in the Anjali mudra (gesture of prayer), symbolizing eternal devotion to the deity.

Key Takeaway: The Vijayanagar period is notable for introducing royal portrait sculptures that depict donors in the Anjali mudra, blending realistic facial portraiture with the idealized physical forms characteristic of Indian art.

Your note

More from Chapter 7: Indian Bronze Sculpture

Match List I with List II and select the correct answer using the code given below: List I | List II A. Himachal Pradesh | 1. Dynamic Mahishasuramardini images B. Thanjavur | 2. Revival of Gupta classical style C. Nalanda | 3. Life-size portrait statues D. Tirupati | 4. Wide range of Shiva iconography

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With reference to the Vijayanagar Period bronzes, consider the following statements: 1. The sculptors of this period strictly avoided creating portrait statues of royals. 2. The portrait statues of Krishnadevaraya and his queens are depicted in prayer mudra. 3. The physical bodies in these sculptures are modelled to appear imposing yet graceful. Which of the statements given above is/are correct?

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The celebrated bronze portrait sculpture of Krishnadevaraya with his queens is located at:

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The Vakataka period bronze images of the Buddha found at Phophnar demonstrate the stylistic influence of:

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With reference to the history of bronze sculpture in India, consider the following statements: 1. The ‘Dancing Girl’ sculpture dates to the Mauryan period. 2. The ‘lost-wax’ process was known to Indian sculptors as early as the Indus Valley Culture. 3. Bronze casting was exclusively used for creating ritual icons and was never utilised for daily use articles like utensils. Which of the statements given above is/are correct?

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