The correct option is
1 only
Explanation
The Shangri Ramayana is a significant set of Pahari miniature paintings. It represents a distinct phase in the development of the Pahari school, specifically associated with the Kullu style, characterized by its folk elements, bold colours, and vigorous composition.
Statement-wise Analysis
- Statement 1 is Correct: The series derives its name from Shangri, a place in the Kullu Valley. This location was the residence of a branch of the Kullu royal family, in whose possession the paintings were found.
- Statement 2 is Incorrect: The paintings do not show an absence of Basohli influence. On the contrary, the Shangri Ramayana is stylistically linked to the Basohli idiom (often classified under "Basohli Style II" or the Kullu-Mandi style). It features the characteristic intense use of primary colours (red, yellow, blue), monochrome backgrounds, and facial types that share the vitality and boldness of the early Basohli school, rather than being completely distinct from it.
- Statement 3 is Incorrect: The Shangri Ramayana was not painted by Nainsukh. Nainsukh is a celebrated master of the Guler-Kangra phase (mid-18th century), known for a more naturalistic, refined, and softer style. The Shangri Ramayana is attributed to earlier masters (often referred to as the "Shangri Master" or artists of the Bahu/Kullu tradition) working in the late 17th or early 18th century.
Key Takeaway: The Shangri Ramayana is a prime example of the Kullu style of Pahari painting, noted for its bold "Basohli-like" aesthetic, distinct from the later, more naturalistic Kangra style associated with Nainsukh.