The correct option is 2 and 3 only.
Explanation
The paintings at Kanchipuram, specifically within the Kailasanatha temple, were patronized by the Pallava king Rajasimha (Narasimhavarman II) in the 7th-8th century CE. These murals represent a significant phase in South Indian art, serving as a stylistic bridge between the earlier Ajanta tradition and the later Chola paintings.
Statement-wise Analysis
- Statement 1 is Incorrect. The paintings are not perfectly preserved, nor do they cover the entire temple today. Only traces of these paintings remain, primarily found in the small cells (sub-shrines) lining the inner courtyard (prakara) of the temple. Time and exposure have led to significant deterioration.
- Statement 2 is Correct. A distinct stylistic feature of the Pallava paintings at Kanchipuram is the depiction of faces. The faces are characteristically round and large, distinguishing them from the more elongated features seen in other regional styles.
- Statement 3 is Correct. The artistic style demonstrates an evolution from earlier periods. The lines are rhythmic and fluid. Furthermore, there is a marked increase in ornamentation in the depiction of figures and deities compared to the relative simplicity of earlier classical paintings like those at Ajanta.
Key Takeaway
Pallava murals at the Kanchipuram Kailasanatha temple are characterized by round, large faces and increased ornamentation. However, they exist only in fragmentary traces within the temple's enclosure cells.