The correct option is 2 only
Explanation
The Guler School is a significant branch of Pahari miniature painting. It represents a crucial transitional phase where the bold, indigenous hill styles merged with Mughal naturalism, resulting in a refined and lyrical aesthetic that laid the foundation for the Kangra School.
Statement 1 is Incorrect: The Guler School is widely recognized as the source of the pre-Kangra style. The artistic idiom that matured in Guler, particularly under the patronage of Raja Govardhan Chand, eventually migrated to Kangra. Consequently, the early phase of Kangra painting is often referred to by art historians as the "Guler-Kangra" style.
Statement 2 is Correct: Raja Balwant Singh of Jasrota is a celebrated patron within the Pahari tradition, not the Mughal court. He is famously associated with the artist Nainsukh, a native of Guler. While the paintings commissioned by Balwant Singh exhibit Mughal-influenced naturalism, he was a Pahari prince, and his patronage is central to the Guler-Jasrota phase of Pahari painting.
Statement 3 is Incorrect: The characteristics described-bold vitality and the use of intense primary colors-are hallmarks of the Basohli School. In contrast, the Guler style is characterized by soft, cool, and pastel colors, delicate lines, and a sense of lyrical grace, reflecting a shift away from the stylized intensity of Basohli.
Key Takeaway: The Basohli School is defined by bold primary colors and vigorous lines, whereas the Guler and Kangra Schools are distinguished by their delicate lines, soft palette, and naturalistic refinement.