With reference to the artist S.H. Raza, consider the following statements: 1. He was a staunch critic of the Progressive Artists' Group and refused to join it. 2. Unlike M.F. Husain, he moved towards abstraction rather than figurative art. 3. He used the 'bindu' as a symbol of oneness drawn from Indian philosophy. Which of the statements given above are correct?

Correct Option The correct option is 2 and 3 only. Explanation Syed Haider Raza (S.H. Raza) was a prominent modern Indian painter and a key figure in the evolution of Indian art in the post-independence era. He is best known for his transition from expressionist landscapes to geometric abstraction rooted in Indian philosophy. Statement-wise Analysis - Statement 1 is Incorrect: S.H. Raza was not a critic of the Progressive Artists' Group (PAG); rather, he was one of its founding members. The group was established in Bombay in 1947 to break away from the revivalist Bengal School and encourage an international avant-garde style. Other founders included F.N. Souza, K.H. Ara, and M.F. Husain. - Statement 2 is Correct: While M.F. Husain remained primarily a figurative artist known for his narrative style and depictions of horses and human forms, S.H. Raza moved towards geometric abstraction. His work evolved to focus on pure shapes, colors, and the metaphysical aspects of nature, distinct from the figurative approach of his contemporaries. - Statement 3 is Correct: The 'Bindu' (dot or point) became the central motif of Raza's work from the late 1970s onwards. He described the 'Bindu' as the seed of creation, the source of energy, and a symbol of oneness, drawing deeply from Indian metaphysical and Tantric philosophies. Key Takeaway Key Takeaway: S.H. Raza was a co-founder of the Progressive Artists' Group (1947) and is distinguished by his signature geometric abstract style centered around the concept of the 'Bindu' (Shunya/Void).

With reference to the artist S.H.… - NCERT Class 12 Art & Culture MCQ

NCERT Class 12 Art & Culture — Chapter 7: The Modern Indian Art

mcqeasy

With reference to the artist S.H. Raza, consider the following statements:

He was a staunch critic of the Progressive Artists' Group and refused to join it.
Unlike M.F. Husain, he moved towards abstraction rather than figurative art.
He used the 'bindu' as a symbol of oneness drawn from Indian philosophy.

Which of the statements given above are correct?

NCERT textbook question

From NCERT An Introduction to Indian Art - Part II · Page 104

Options

A2 only
B1, 2 and 3
C2 and 3 only
D1 and 2 only

Did you get this right?

Solution

Correct Option

The correct option is 2 and 3 only.

Explanation

Syed Haider Raza (S.H. Raza) was a prominent modern Indian painter and a key figure in the evolution of Indian art in the post-independence era. He is best known for his transition from expressionist landscapes to geometric abstraction rooted in Indian philosophy.

Statement-wise Analysis

Statement 1 is Incorrect: S.H. Raza was not a critic of the Progressive Artists' Group (PAG); rather, he was one of its founding members. The group was established in Bombay in 1947 to break away from the revivalist Bengal School and encourage an international avant-garde style. Other founders included F.N. Souza, K.H. Ara, and M.F. Husain.
Statement 2 is Correct: While M.F. Husain remained primarily a figurative artist known for his narrative style and depictions of horses and human forms, S.H. Raza moved towards geometric abstraction. His work evolved to focus on pure shapes, colors, and the metaphysical aspects of nature, distinct from the figurative approach of his contemporaries.
Statement 3 is Correct: The 'Bindu' (dot or point) became the central motif of Raza's work from the late 1970s onwards. He described the 'Bindu' as the seed of creation, the source of energy, and a symbol of oneness, drawing deeply from Indian metaphysical and Tantric philosophies.

Key Takeaway

Key Takeaway: S.H. Raza was a co-founder of the Progressive Artists' Group (1947) and is distinguished by his signature geometric abstract style centered around the concept of the 'Bindu' (Shunya/Void).

Your note

More from Chapter 7: The Modern Indian Art

Which artist is known for the sculpture 'Twins' Bronze, 1973 and was a leader of the Calcutta Group?

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Which artist led Group 1890 and authored its manifesto?

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With reference to the 'Calcutta Group' formed in 1943, consider the following statements: 1. It was formed under the leadership of sculptor Prodosh Das Gupta. 2. The group sought to revive the sentimental style of the Bengal School of Art. 3. The artists were influenced by the social philosophy of Marxism. Which of the statements given above are correct?

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Which artist's painting 'Ma' 1972 is an example of abstraction using the 'bindu' motif?

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