Which of the following pairs of Pahari artists and their patrons is correctly matched? 1. Devida : Kirpal Pal 2. Nainsukh : Balwant Singh 3. Manaku : Sansar Chand (later service) Select the correct answer using the code given below:

The correct Answer is 1, 2 and 3 Explanation This question pertains to the patronage of prominent Pahari artists by various rulers in the Himalayan foothills, a significant aspect of Pahari painting. Understanding these associations is crucial for comprehending the development and characteristics of different schools within Pahari art. Statement-wise Analysis 1. Devidasa : Kirpal Pal - Correct. Devidasa was a prominent artist who worked under the patronage of Raja Kirpal Pal of Basohli. His notable work includes the Rasamanjari series, which exemplifies the early Basohli style. 2. Nainsukh : Balwant Singh - Correct. Nainsukh, a highly influential Pahari painter, was primarily associated with Raja Balwant Singh of Jasrota. His works often depict intimate scenes from Balwant Singh's life, characterized by a refined naturalism and psychological depth. 3. Manaku : Sansar Chand (later service) - Correct. Manaku, brother of Nainsukh, was also a significant artist. While he initially worked for other patrons, he, along with his family, later found patronage under Raja Sansar Chand of Kangra, who was a great patron of art. Sansar Chand's court became a major center for Pahari painting, attracting many artists, including Manaku's family. Key Takeaway The correct matching of Pahari artists with their patrons is essential for understanding the stylistic evolution and regional variations within Pahari painting.

NCERT Class 12 Art & Culture — Chapter 5: The Pahari Schools of Painting

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Which of the following pairs of Pahari artists and their patrons is correctly matched?

Devida : Kirpal Pal
Nainsukh : Balwant Singh
Manaku : Sansar Chand (later service)

Select the correct answer using the code given below:

Official previous-year question

Verified 1 Aug 2026.

Options

A1 and 2 only
B2 and 3 only
C1 and 3 only
D1, 2 and 3

Did you get this right?

Solution

The correct Answer is 1, 2 and 3

Explanation

This question pertains to the patronage of prominent Pahari artists by various rulers in the Himalayan foothills, a significant aspect of Pahari painting. Understanding these associations is crucial for comprehending the development and characteristics of different schools within Pahari art.

Statement-wise Analysis

Devidasa : Kirpal Pal
- Correct. Devidasa was a prominent artist who worked under the patronage of Raja Kirpal Pal of Basohli. His notable work includes the Rasamanjari series, which exemplifies the early Basohli style.
Nainsukh : Balwant Singh
- Correct. Nainsukh, a highly influential Pahari painter, was primarily associated with Raja Balwant Singh of Jasrota. His works often depict intimate scenes from Balwant Singh's life, characterized by a refined naturalism and psychological depth.
Manaku : Sansar Chand (later service)
- Correct. Manaku, brother of Nainsukh, was also a significant artist. While he initially worked for other patrons, he, along with his family, later found patronage under Raja Sansar Chand of Kangra, who was a great patron of art. Sansar Chand's court became a major center for Pahari painting, attracting many artists, including Manaku's family.

Key Takeaway

The correct matching of Pahari artists with their patrons is essential for understanding the stylistic evolution and regional variations within Pahari painting.

Your note

More from Chapter 5: The Pahari Schools of Painting

With reference to the origins of the Pahari Schools of Painting, consider the following statements: 1. The Pahari style began at Basohli with a coarsely flamboyant style and matured into the sophisticated Kangra style. 2. Unlike Rajasthani and Mughal schools, Pahari paintings are easily classified based on distinct territorial boundaries. 3. The earliest prevailing pictorial language in the hills is generally understood to be the Basohli-like style. Which of the statements given above is/are correct?

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Which of the following factors is considered by art historians to be chiefly responsible for the shaping of the Pahari style of painting?

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Consider the following statements regarding the Basohli School of painting: 1. It flourished under the patronage of Raja Sansar Chand in the late 19th century. 2. A distinctive feature is the use of small, shiny green particles of beetle wings to simulate emeralds in jewellery. 3. The style is characterized by the use of strong primary colours and warm yellows. Which of the statements given above is/are correct?

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Which of the following texts was the most popular theme for the painters of the Basohli School?

easy

With reference to the 'Shangri Ramayana', consider the following statements: 1. It is named after a place of residence of a branch of the Kullu royal family. 2. The paintings in this set show a complete absence of any stylistic influence from the Basohli school. 3. It was painted exclusively by the artist Nainsukh. Which of the statements given above is/are correct?

hard

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The correct Answer is 1, 2 and 3

Explanation

Statement-wise Analysis

Devidasa : Kirpal Pal
- Correct. Devidasa was a prominent artist who worked under the patronage of Raja Kirpal Pal of Basohli. His notable work includes the Rasamanjari series, which exemplifies the early Basohli style.
Nainsukh : Balwant Singh
- Correct. Nainsukh, a highly influential Pahari painter, was primarily associated with Raja Balwant Singh of Jasrota. His works often depict intimate scenes from Balwant Singh's life, characterized by a refined naturalism and psychological depth.
Manaku : Sansar Chand (later service)
- Correct. Manaku, brother of Nainsukh, was also a significant artist. While he initially worked for other patrons, he, along with his family, later found patronage under Raja Sansar Chand of Kangra, who was a great patron of art. Sansar Chand's court became a major center for Pahari painting, attracting many artists, including Manaku's family.

Key Takeaway

The correct matching of Pahari artists with their patrons is essential for understanding the stylistic evolution and regional variations within Pahari painting.