NCERT Class 12 Art & Culture — Chapter 5: The Pahari Schools of Painting

mcqmedium

Which of the following factors is considered by art historians to be chiefly responsible for the shaping of the Pahari style of painting?

Official previous-year question

Verified 1 Aug 2026.

Options

AThe direct patronage of the Rajasthani rulers who intermarried with Hill Rajas.
BThe geographical isolation of the hill states allowing for independent evolution.
CThe lineage and ingenuity of the family of artist Pandit Seu.
DThe migration of artists from the Mughal court after the decline of the empire.

Did you get this right?

Solution

The correct option is The migration of artists from the Mughal court after the decline of the empire.

Explanation

The Pahari School of painting refers to the style of miniature painting and book illustration that developed in the independent states of the Himalayan foothills (such as Basohli, Guler, Kangra, and Chamba) roughly between the 17th and 19th centuries.

Detailed

The migration of artists from the Mughal court after the decline of the empire. is Correct: The shaping of the Pahari style is historically attributed to the migration of artists from the Mughal court. Following the decline of the Mughal Empire, particularly during the reign of Aurangzeb who withdrew royal patronage for the arts, many master artists sought refuge in the Rajput courts of the Himalayan hills. These artists brought the refined technique, naturalism, and delicate coloring of the Mughal tradition, which blended with the bold, emotional, and lyrical themes of the local folk art to create the unique Pahari style.
The geographical isolation of the hill states allowing for independent evolution. is Incorrect: While geographical isolation helped preserve the distinctiveness of the hill states and protected them from frequent external invasions, it was not the active factor responsible for the stylistic evolution or the technical refinement of the paintings.
The lineage and ingenuity of the family of artist Pandit Seu. is Incorrect: The family of Pandit Seu (particularly his sons Nainsukh and Manaku) played a pivotal role in the development of the specific Guler-Kangra phase, representing the zenith of Pahari painting. However, the broader emergence of the Pahari school as a distinct genre (including the earlier Basohli style) is primarily linked to the wider influx of Mughal-trained artists rather than the lineage of a single family alone.
The direct patronage of the Rajasthani rulers who intermarried with Hill Rajas. is Incorrect: Although there were cultural exchanges and marital alliances between the Hill Rajas and Rajasthani rulers, the direct migration of professional artists from the Mughal workshops is considered the primary catalyst for the stylistic transformation of Pahari art.

Key Takeaway:
The Pahari style of painting was chiefly shaped by the synthesis of Mughal technical finesse (brought by migrating artists losing imperial patronage) and local folk lyricism (themes of love and devotion) in the Himalayan hill states.

Your note

More from Chapter 5: The Pahari Schools of Painting

Which of the following pairs of Pahari artists and their patrons is correctly matched? 1. Devida : Kirpal Pal 2. Nainsukh : Balwant Singh 3. Manaku : Sansar Chand (later service) Select the correct answer using the code given below:

medium

With reference to the origins of the Pahari Schools of Painting, consider the following statements: 1. The Pahari style began at Basohli with a coarsely flamboyant style and matured into the sophisticated Kangra style. 2. Unlike Rajasthani and Mughal schools, Pahari paintings are easily classified based on distinct territorial boundaries. 3. The earliest prevailing pictorial language in the hills is generally understood to be the Basohli-like style. Which of the statements given above is/are correct?

medium

Consider the following statements regarding the Basohli School of painting: 1. It flourished under the patronage of Raja Sansar Chand in the late 19th century. 2. A distinctive feature is the use of small, shiny green particles of beetle wings to simulate emeralds in jewellery. 3. The style is characterized by the use of strong primary colours and warm yellows. Which of the statements given above is/are correct?

medium

Which of the following texts was the most popular theme for the painters of the Basohli School?

easy

With reference to the 'Shangri Ramayana', consider the following statements: 1. It is named after a place of residence of a branch of the Kullu royal family. 2. The paintings in this set show a complete absence of any stylistic influence from the Basohli school. 3. It was painted exclusively by the artist Nainsukh. Which of the statements given above is/are correct?

hard

Keep practising Chapter 5: The Pahari Schools of Painting

Work through every question from this NCERT chapter.

Browse all NCERT Class 12 Art & Culture chapters

The correct option is The migration of artists from the Mughal court after the decline of the empire.

Explanation

Detailed

The migration of artists from the Mughal court after the decline of the empire. is Correct: The shaping of the Pahari style is historically attributed to the migration of artists from the Mughal court. Following the decline of the Mughal Empire, particularly during the reign of Aurangzeb who withdrew royal patronage for the arts, many master artists sought refuge in the Rajput courts of the Himalayan hills. These artists brought the refined technique, naturalism, and delicate coloring of the Mughal tradition, which blended with the bold, emotional, and lyrical themes of the local folk art to create the unique Pahari style.
The geographical isolation of the hill states allowing for independent evolution. is Incorrect: While geographical isolation helped preserve the distinctiveness of the hill states and protected them from frequent external invasions, it was not the active factor responsible for the stylistic evolution or the technical refinement of the paintings.
The lineage and ingenuity of the family of artist Pandit Seu. is Incorrect: The family of Pandit Seu (particularly his sons Nainsukh and Manaku) played a pivotal role in the development of the specific Guler-Kangra phase, representing the zenith of Pahari painting. However, the broader emergence of the Pahari school as a distinct genre (including the earlier Basohli style) is primarily linked to the wider influx of Mughal-trained artists rather than the lineage of a single family alone.
The direct patronage of the Rajasthani rulers who intermarried with Hill Rajas. is Incorrect: Although there were cultural exchanges and marital alliances between the Hill Rajas and Rajasthani rulers, the direct migration of professional artists from the Mughal workshops is considered the primary catalyst for the stylistic transformation of Pahari art.